Words, images, history, and abstraction. At first glance, Adam Pendleton’s work may appear simple and quiet, yet within its surfaces, multiple layers of voices, memories, and time unfold. By combining diverse techniques—including silkscreen, spray paint, and Xeroxed images—Pendleton creates a distinctive visual rhythm. The closer we look, the more words, forms, and images emerge, revealing details that may have gone unnoticed at first and awakening the viewer’s own memories and imagination. Since 2008, Pendleton has developed his ongoing project “Black

Unraveling a woven textile thread by thread, Aiko Tezuka uses this quiet and meticulous act to reveal the structures and layers of time hidden within what we perceive as a “finished” object. Beginning with painting, Tezuka has developed a practice of dismantling and reconstructing textiles and embroidery, her works inviting us to imagine time running backward and to consider the “unchosen possibilities” that might have existed along the way. At first glance, her works may appear delicate and beautiful. Yet

Dream and reality, memory and the present, the visible and the unseen: Apichatpong Weerasethakul’s practice unfolds within these shifting thresholds. Moving fluidly between film, light, moving image, sound, installation, and VR, he creates immersive worlds in which time and space seem to loosen, overlap, and transform. His works draw together personal memories and dreams with the deep histories of place and the lingering presence of what cannot be seen. Rather than leading viewers toward a singular narrative, they open onto